Source Dorks is a pop culture blog written by a circle of friends who frequently meet to play games and geek out at Source Comics and Games in the suburbs of Minneapolis, Minnesota.
Tim and I trekked out to see the Guitar Hero II tournament at the Mall of America Saturday. The turn out was good and the competition fairly fierce. In the first round players vied for the high score on "Rock This Town" at the expert difficulty. The best player nailed upwards of 340,000 points. The level of competition was way beyond my skills, but Tim had the guts to get up there and have a go. To punish him for his bravery I shoved my camera phone in his face.
I can still remember, ten years ago, being really angry at Puff Daddy for the way "I'll Be Missing You" was pretty much a Police song with new rap lyrics on top. When I was younger I had a chip on my shoulder about music. It all had to be experimental and edgy. The more obscure the better. I think I'm easing up in my old age.
Granted, Kanye puts a little more into this song that Puff Daddy used to. He flips the original Daft Punk track "Harder, Faster, Better, Stronger" a little, especially towards the end you can pick out where he isolates and repeats certain words -- like he's doing his own remix of the song. He's also added some signature flourishes -- a little extra thump and some dramatic keys to make the song fit in on pop radio playlists.
At this point I've got at least 19-different mixes of the orignal Daft Punk tune in my iTunes library, so maybe I'm just a little more comfortable with people re-interpreting the songs I love. Anyway, I'm going to pat myself on the back a little. Learning to relax and love Kanye makes it so that there's one less thing in the world that gets my dander up.
Ray and Blake, friends of my friend Jeremy, are professional orchestral musicians in the Los Angeles area. They're kicking around the idea of starting a string trio to perform video game themes. Here's a video of them working out one of their arrangements as a duet.
I should have spent more time last night integrating products of trig functions, but I just couldn't stop playing this game. It's got a little something for all the neurotic sub-personalities of your inner gamer. There's resource management. There's gunplay. There's economics. I think the thing that kept me so compelled was that the overall feel was not unlike an open-ended hybrid of Fallout and Oregon Trail.
GC made the F-bomb funny a long time ago and now he does all my kid's shows. He had the benefit of being the first. 20 plus years later and the F-bomb can be a crutch. There is nothing worse than an f-bomb bombing and that it all it has done of late. In the 80's Robin Williams did a bit on golf with a Scottish accent . . . and the f-bomb. Remove the f-word and his golf bit sucks. So when a co-worker sent me this I set the bar low so as not to be disappointed. Good crescendo and timing. I approve.
George RR Martin: Since January, when I announced the deal with Home Box Office for the television series of A Song of Ice and Fire—A Game of Thrones--I've been getting a lot of questions about it. And I knew I'd get a lot of questions tonight, so I've asked David Benioff and D.B. Weiss, who will be the executive producers of the show and the scriptwriters, who will be doing it, to join us here tonight. And you can ask them some of your questions about what will happen with the Home Box Office project. Of course, keep in mind that we're just getting started here, so there's a lot of stuff that we don't know yet. But, David and Dan, can you guys come forward here?
Moderator: Obviously you've been standing in the room and you've been seeing the questions from fans going on all evening. I guess the biggest question and the one that everybody's kind of wanted to know about the series is, how faithful is it going to be to the books and how is it going to cue off what George has already written?
David Benioff: Well, when the books were first sent to me by George's agent, they were sent for me to look at in terms of making as a feature. And I started reading and about, I probably read about 150 pages, and I realized three things I guess. One was that I hadn't been this transported into a fantasy world since I also was in junior high school reading Lord of the Rings. The second thing was that this was, this would not work as a feature because the idea of trying to compress an 800 page book with incredibly detailed subplots into 120 page script, I mean we would have lost so much of what was so wonderful about this book. The third thing was that this was something I wanted to do and I couldn't do it by myself, which was why I sent the book to my friend and colleague, D.B. Weiss.
And you know I got phone calls from people at the studio afterwards saying, "There is a way to make this as a feature. There's a way to do it as a movie. You could just take Jon Snow and Daenerys and just concentrate on them and get rid of some of the minor characters." And it just, it was kind of appalling because, much as I love Jon Snow and Daenerys, I didn't want to lose the other characters. I mean this is an epic and the only way we could conceive of doing it properly was to tell it as a series. And you can't do it as a series where's it interrupted every twenty minutes by a commercial for toothpaste. And you can't do it where I'd have Tyrion saying the things he says and doing the things he says, all of which network TV would have had a huge problem with.
So we really felt from the beginning that the best way to do this was on HBO or possibly Showtime. And then I went online and I saw that all the fans had had this idea years before I had and realized that I was quite late to the game. But luckily George felt the same as we did and the whole reason we're doing this with HBO was because we felt it was really the only way to be faithful to the books and to put the entire series on air, not just highlighting, not just in the Reader's Digest condensed version of it, I should say.
D.B. Weiss: Yeah, it's really our goal just to make it as faithful as possible within the confines of the medium, which are much less on HBO than they are anywhere else.
Moderator: That's allowing you guys a certain amount of freedom in terms of the script and the casting and everything else.
David Benioff: Yeah, absolutely it is. As opposed to having to do 120 page script for A Game of Thrones, for instance, we're going to have now twelve 60 page scripts, so that’s 720 pages to tell the full story and it really allows us to be true to George's world in a way that we never could have otherwise. It's incredibly exciting and, as George said, it's a long process. We're still at the very, very beginning of it, but we can't wait to see the "Winter is Coming" promos on HBO at the end of a, well, I guess there won't be any more Sopranos episodes, but the end of whatever is coming on in a year.